Just on the edge of Grasmere there are a couple of strips of textured traffic calming surface where the speed limit changes to 30mph along the A591. Makes a great noise with plenty of luscious Doppler, so I got nice and close and grabbed a couple of minutes.
Here is my third field recording release, now available to buy/stream/admire on Bandcamp. An immense thunderstorm, more likely two passing near each other given the direction of blasts from the cloud, arrived during a trip to Koločep, one of the Elaphiti Islands off the coast of Croatia.
As hotel staff were strapping down anything that might be washed into the sea, I was reaching for some recording equipment. With a little patience and concentration, I was able to record about 35 minutes’ of weather at one of its more violent extremes and the result is here, moulded into three parts. During editing, it became clear that the audio naturally divided itself, leaving approximate segments and I was reminded of the structure of a concerto. The pace of the first 8 or 9 minutes felt quicker than the next, which in itself slowed into a final conclusion, something approaching a Wagnerian Liebestod.
Thusly, I have assembled a concerto in three movements – the Allegretto that introduces the rain and thunder, the Adagio, with its more leisurely tempo and finally the Largo, unfolding to its hushed elegy as the storm dies away. The key B♭ Minor seemed to correspond most closely to the periodically sorrowful tone.
From a couple of months ago, here is the sound of the tram ride at Beamish, from just behind the main front entrance building down to the Town area. Barring the inclusion of employees and volunteers on the radio to each other, the ringtone of a mobile phone and me sat inside with a handheld digital recorder, there are plenty of elements here that could be many decades old.
Tram 196, on which this was captured, was originally a Portuguese one built in 1935 from an early 1900s US design, repainted and now happily chiming and trundling its way around the living museum of the north.
[Full sound also available to buy on the stock media marketplace Pond5: http://www.pond5.com/sound-effect/52238856]
Here are my new hire rates for a selection of my recording gear.
Discounts available, of course, and my hire contract is only 2 pages long. I’m not a monster.
An object of wondrous beauty and faintly wistful nostalgia, this has been occupying my ear holes this morning and afternoon. Released in 1982 with catalogue number REFX 448, it is a double LP that I picked up from RPM Music the other weekend. While I was busy looking in the folk section for some more Steeleye Span or Pentangle, my amazing and resourceful girlfriend found this absolute gem a few racks over.
There’s also some fantastic detail on the sleeve about Super 8, 16mm, sound on your film’s magnetic strip, and being able to achieve much more with recordings like this than simply creating instrinsic pictures in sound.
Like I say, a gem.