From a couple of months ago, here is the sound of the tram ride at Beamish, from just behind the main front entrance building down to the Town area. Barring the inclusion of employees and volunteers on the radio to each other, the ringtone of a mobile phone and me sat inside with a handheld digital recorder, there are plenty of elements here that could be many decades old.
Tram 196, on which this was captured, was originally a Portuguese one built in 1935 from an early 1900s US design, repainted and now happily chiming and trundling its way around the living museum of the north.
[Full sound also available to buy on the stock media marketplace Pond5: http://www.pond5.com/sound-effect/52238856]
Here are my new hire rates for a selection of my recording gear.
Discounts available, of course, and my hire contract is only 2 pages long. I’m not a monster.
An object of wondrous beauty and faintly wistful nostalgia, this has been occupying my ear holes this morning and afternoon. Released in 1982 with catalogue number REFX 448, it is a double LP that I picked up from RPM Music the other weekend. While I was busy looking in the folk section for some more Steeleye Span or Pentangle, my amazing and resourceful girlfriend found this absolute gem a few racks over.
There’s also some fantastic detail on the sleeve about Super 8, 16mm, sound on your film’s magnetic strip, and being able to achieve much more with recordings like this than simply creating instrinsic pictures in sound.
Like I say, a gem.
Editing time. Field recordings today. In no particular order*
1. Footsteps in the Finnish snow.
2. The Pallas-Yllästunturi national park.
3. The tram ride at Beamish museum.
4. Outside Nishta restaurant in Dubrovnik.
5. Extra big and beautiful thunderstorm at Koločep, Croatia.
6. Birdsong from living room window, Corbridge.
(*don’t be daft, of course they’re in order – chronological)
I sold one of these the other day, part of my collection of sounds that are available to buy on Pond5. It’s had 400 hundred or so plays on Soundcloud, but I have to say, it is quite gratifying to think that someone parted with actual Earth Money for it.
It was recorded roughly here, in the north west highlands of Scotland. Beautifully and heartbreakingly enough, Wester Ross was one of the most favourite places in the world for my girlfriend’s dad, who is greatly missed by everyone who knew him.
To give an idea, 200 CDs plus digital copies of all songs in whatever format required, along with the recording, mixing and mastering of a collection like this comes to something between £350 and £500.
Meanwhile, Martin, Chris, Finn McArdle on percussion and Paul White on bass are in the middle of working on a follow-up 7 track EP as well, my mixing and mastering of which is coming along very well. You can find a preview of this next release here:
Over on YouTube there’s also a selection of videos from one of the recording sessions HERE.
With the addition of some impressively gifted percussion and bass parts, they have arrived at an exceptional and warm sound.